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The Lane of White Chairs

Founder of Festival

City Assembly of Belgrade

Arab-Hebrew Theatre of Jaffa (Israel)
Gaby Aldor
THE LANE OF WHITE CHAIRS
A play

Barutana, 21 h

Premiere:
August 6.
Reprise:
August 7.

The Lane of White Chairs

   

Is it possible to return to a place that was once home, and what is that home? Is ‘home’ a childhood memory or a piece of property? Definition of identity or prison? The main caracter of The Lane of White Chairs, Palestinian-Jordanian, who was a child when his parents fled Jaffa, returns to what was once his home, emphasising these questions.

Jaffa is an unsolved puzzle, destroyed and neglected, holding on to a glorified dream of the past, and the real-estate realities forming the future. This city is being built, destroyed and hastily re-built, and is made up of layer upon layer, both archeological and cultural. The Arabs, the oriental and occidental Jews, the eccentrics and the honorable are living side by side. This multi-existence forms the base of The Lane of White Chairs. Criminals, decent citizens, workers and artists, all sharing each others lives – but alienation exists nevertheless – estrangement of language and culture, the fear of each other and of anything foreign.

The lane is where the tenants meet, and where the play takes place attempting to examine the nature of this charged distance, as a necessary beginning to a dialogue.

Residing in the historical museum of old Jaffa, an important Mediterranean port from the second millenium B.C., the Arab-Hebrew Theatre is a home for the joint creations of two theatre companies: the Arab Theatre A-Saraiya and the Local Theatre, producing plays, both together and separately, in Hebrew and in Arabic, with the participation of Jewish and Arab actors.

The Arab - Hebrew Theatre is unique among Israeli theatres, both for its social and political mission and for its theatrical language. In the Arab-Hebrew Theatre, multi culturalism is not a mere phrase, but a fact of life and ideology. In a city where Arabs and Jews live side by side, the theatre promotes knowledge and understanding of the two cultures, not only through its productions, but also through its work with the multi-ethnic communities of Jaffa, and in particular, by providing a theatrical structure for interaction for Arabs and Jews.

The Lane of White Chairs

The Lane of White Chairs

The Lane of White Chairs

 

Director:

Gaby Aldor i Ig'al Ezraty

Stage design:

Uri Onn

Costume:

Julyia Livneh i Nir Aharon

Music:

Shosh Reizman

Light design:

Uri Rubinstein

Assistant Director:

Avi Gez

Production and marketing:

Irit Ne'eman Ne'eman Production

Producer:

Odelia Banai-Merin
Local Theatre Foundation

The Lane of White Chairs
Igraju

Um-Tallal, a poor Muslim woman

Osnat Yakutieli-Mandil/Margalit Oved

Nassrin, her daughter

Limor Yitzhaiak/Meital Zecharia

Millad, her son, a criminal

Eli Dor-Chaim

Lilly, a Jewish woman

Noga Pratt

Esther, Jewish widow, from Iraq

Naomi Ackerman/Regin Shooshan

Yaffa, her daughter

Liat Bine-Levy

Ezra, her son

Niv Scheinfeld

Um-Kamal, fisherman’s wife,

Iris Shavit

Ranem, her son

Yousef Sweid

Taher

Suheil Khaddad

Musicians:

Music, drums and percussion

Samer Azar

Music, cello and synthesizer

Yuval Messnor

The Lane of White Chairs
Design & Development
Cyber Art 2001
© 1997-2004

©BELEF 04